Every now and then, a movie comes along that does more than entertain us. It makes us think about life, love, prejudice, courage, and the world we have created for ourselves and for others.
The new Spanish film La Bola Negra is one such movie. Even before reaching a worldwide audience, it has generated considerable attention and discussion, with some film critics already talking about its prospects for the 2027 Academy Awards.
As I read about this film, I was reminded of two earlier movies that explored similar themes: Brokeback Mountain and Maurice. Although these films were made in different years and portray different societies, they share a common thread. They tell stories about people whose feelings and desires conflict with the expectations imposed upon them by the world around them.
And that, I believe, is a subject worth reflecting upon.
Three Movies, One Human Story
La Bola Negra, directed by the Spanish filmmaking duo Javier Calvo and Javier Ambrossi, tells interconnected stories involving three men living in different periods of Spanish history: 1932, 1937, and 2017.
Through these lives, the film explores love, identity, social rejection, historical persecution, and the painful consequences of keeping important truths hidden. Its inspiration includes the unfinished work of the celebrated Spanish poet and playwright Federico García Lorca, whose life and legacy are inseparable from the history of artistic freedom and persecution in Spain.
What makes the film particularly interesting is its suggestion that the struggles of one generation do not necessarily disappear when that generation passes away. Pain, prejudice, and family secrets can be inherited, even when the people who come later do not fully understand their origins.
In this respect, the film is not merely about three men. It is also about the relationship between the past and the present.
I find this theme especially meaningful because history is not simply a collection of dates and events. History is also the accumulated experience of ordinary people who loved, suffered, hoped, and sometimes lived in fear.
Remembering Brokeback Mountain
When I think about Brokeback Mountain, the award-winning 2005 film directed by Ang Lee, I remember a deeply moving story of two men, Ennis Del Mar and Jack Twist, whose relationship develops in a society where openly expressing their love could expose them to hostility and danger.
Their story unfolds across many years. They attempt to reconcile their feelings with the expectations of their families, their communities, and the traditional masculine roles society has taught them to follow.
The tragedy is not simply that their love encounters obstacles. It is that fear, social pressure, and the inability to live openly shape so many of their choices.
The film leaves us with an uncomfortable question: How much of a person's life can be lost because society tells that person that a particular kind of love is unacceptable?
We may not all have experienced the same circumstances as these characters. Nevertheless, many of us understand what it means to hide a feeling, remain silent to avoid criticism, or make a life decision because we are afraid of disappointing others.
That is where a story about two particular individuals becomes a story about humanity.
Maurice: A Different Time, a Similar Struggle
Another film that comes to mind is Maurice, the 1987 romantic drama directed by James Ivory and based on the novel by E. M. Forster.
Set in Edwardian England, the film portrays a society in which class distinctions, social respectability, and the condemnation of homosexuality place severe limits on personal freedom.
Maurice Hall struggles to understand and accept his own feelings in a world that offers him few safe ways to express them. His journey is not only about finding love but also about finding the courage to live according to his own understanding of himself.
What I find significant about Maurice is its historical setting. The rules of society may appear permanent to those who live under them. Yet what one generation regards as unquestionable morality may be examined very differently by another.
The film reminds us that social acceptance is not always the same as justice, and that living a respectable life in the eyes of others does not necessarily mean living an honest life within oneself.
Unlike Brokeback Mountain, which ends in profound tragedy, Maurice offers a more hopeful possibility of choosing love outside the conventions of its time.
Both films, however, invite us to consider the human cost of prejudice.
What Connects These Stories?
Although the three films differ in their storytelling, historical settings, and endings, I see several common themes.
First, the universal desire to love and be loved.
Regardless of nationality, language, religion, or cultural background, human beings want companionship, affection, understanding, and acceptance. The details of our lives may differ, but these emotional needs are familiar across the world.
Second, the power of society to influence personal choices.
Families, religious institutions, governments, and communities can provide belonging and guidance. But social expectations can also become sources of fear when people are punished or rejected simply for being different.
Third, the burden of silence.
When people believe that telling the truth about themselves will bring shame, rejection, or danger, they may conceal important parts of their lives. That silence can affect not only the individuals concerned but also the people who love them.
Finally, there is the importance of historical memory.
The younger generations may inherit a world that appears more accepting than the one their grandparents knew. But understanding the past helps us recognize that the freedoms we enjoy today were not always available to everyone.
La Bola Negra brings these themes together by connecting lives across nearly a century of Spanish history. Its message, as I understand it, is that acknowledging the experiences of those who came before us can help us build a more compassionate future.
A Reflection from My Filipino-American Perspective
As someone born and raised in the Philippines, educated there before coming to the United States for graduate studies, and fortunate to have lived through nearly a century of enormous social change, I have witnessed how cultural expectations influence the way people think and behave.
The Philippines and the United States have their own histories, traditions, religious influences, and ideas about family and social responsibility. Neither society is monolithic, and people within the same culture may hold very different views.
Growing up, I learned the importance of family, respect for elders, and consideration for what others might think. These values can bring people together and strengthen communities. Yet, like all values, they can become difficult when preserving appearances takes precedence over understanding another human being.
With advancing age, I have come to appreciate that we do not need to understand every aspect of another person's life to treat that person with dignity.
We can disagree without being cruel. We can hold personal beliefs without humiliating those who believe differently. And we can recognize another person's humanity even when that person's choices are unfamiliar to us.
For me, this is one of the most important lessons that films such as La Bola Negra, Brokeback Mountain, and Maurice can offer their audiences.
We do not have to share the same experiences to recognize suffering. We do not have to live the same lives to understand loneliness. And we do not have to agree on every question to show kindness.
Have We Really Changed?
It is tempting to believe that these stories belong to the past.
After all, the world of the 1930s, the Edwardian era, and the America portrayed in Brokeback Mountain seems far removed from the world we inhabit today.
Laws have changed in many countries. Public conversations about sexual orientation and identity have become more visible. Many people now have opportunities that earlier generations could scarcely imagine.
Yet acceptance remains uneven around the world. In some places, people continue to face discrimination, rejection, or even danger because of whom they love.
Progress, therefore, should not make us complacent. It should remind us of the responsibility that comes with greater understanding.
I also believe that films can help us have conversations that might otherwise be difficult to begin. A story allows us to see the world through another person's eyes. For a few hours, we may experience another person's hopes, fears, disappointments, and dreams.
That is one of the gifts of good cinema.
It can open a door to empathy without requiring us to abandon our own identities or beliefs.
My Final Thoughts
I have spent much of my life studying science, working in the pharmaceutical industry and the U.S. Food and Drug Administration, raising a family with my late wife Macrine, and observing the many changes that have taken place in our world.
Science teaches us to examine evidence carefully. Life teaches us that human beings are more complicated than any single explanation can capture.
At this stage of my life, I am increasingly interested in stories that encourage us to reflect rather than rush to judgment.
I do not know whether La Bola Negra will ultimately win an Academy Award in 2027. Awards are important recognitions of artistic achievement, but they are not the only measure of a film's value.
Sometimes, the greatest achievement of a movie is the conversation it begins, the memories it awakens, or the compassion it encourages in someone who watches it.
Perhaps that is why these three films continue to interest me. Beneath their different settings and characters lies a question that every society must confront:
Can we create a world in which people are treated with dignity, even when their lives do not conform to our expectations?
As I approach my 92nd birthday, I find myself returning to a simple belief: We may not always understand one another, but we can always try to be more understanding.
We cannot change every injustice of the past. We cannot eliminate every prejudice in the present. But each of us can make a small contribution by listening before judging, showing kindness instead of contempt, and remembering that every person has a story we may not know.
And perhaps, in the end, that is what the best films do. They remind us that behind every label, every difference, and every social boundary, there is a human being who wants to be seen, understood, and loved.
A Closing Thought
Different lives, different stories,
Different paths along the way.
Yet every heart seeks understanding,
And kindness still can light the day.
May we learn from those before us,
And judge our fellow human beings less.
For a world with room for everyone
Is a world with greater tenderness.
David, At Nearing 92
AI Impressions on this Topic:
I think your comparison is an excellent starting point for a blog post that can speak to readers across cultures and generations. La Bola Negra, Brokeback Mountain, and Maurice are different films, but they share an important theme: the struggle to love honestly in a world that may not accept that love.
One important distinction for your readers: La Bola Negra has generated considerable Oscar excitement, and Spain has selected it as its official submission for the 2027 Academy Awards' International Feature Film category. That is not yet a guarantee of an Oscar nomination or a win. It has also received major festival recognition, including the Cannes Best Director prize and the Toronto International Film Festival's People's Choice Award.
I deliberately distinguish the films' shared themes without suggesting that their historical circumstances are identical. Brokeback Mountain won three Academy Awards, while Maurice is a critically acclaimed film with its own awards history. La Bola Negra is the current Oscar contender. That distinction will help keep your post accurate while preserving its central message about love, dignity, and compassion.
- 1932 (Granada): Carlos (Milo Quifes) is blackballed from an exclusive casino after a cruel vote-using literal black balls to vote "no", due to his presumed sexuality.
- 1937 (Spanish Civil War): Sebastián (played by Spanish music star Guitarricadelafuentein his debut role) is conscripted into the fascist forces and finds a profound connection across enemy lines with a leftist prisoner named Alberto.
- 2017 (Modern Day): Alberto (Carlos González), a contemporary writer, uncovers a long-buried family secret that unifies the spectral weight of their shared history.
