WELCOME TO MY SITE AND HAVE A GOOD DAY

Welcome to Las Vegas, Nevada- the Gambling Capital of US and the City that never sleeps! So, what has this city have to do with this site. The answer is none. I just love the photo, I took during our vacation to this city a couple of years ago. In this site, you will find articles from my autobiography, global warming, senior citizens issues, tourism, politics in PI, music appreciation and articles about our current experiences as retirees enjoying the "snow bird" lifestyle between US and the Philippines. Your comments will be highly appreciated. Please do not forget to read the latest national and international news. Some of the photos and videos on this site, I do not own. However, I have no intention on infringement of your copyrights. Cheers!

Saturday, September 19, 2009

My Favorite TV Drama Show! What's Yours?


My Favorite TV Drama is Six Feet Under. If you have not seen it, tapes of it are available in music stores. You could also watch it in You Tube. Here is a short introduction and synopsis of the widely acclaim TV show, winning several awards, three Golden Gloves and nine Emmy's. May I ask what is your favorite TV Drama show?

Six Feet Under is an American television drama series created and produced by Alan Ball. It premiered on the premium cable network HBO in the United States on June 3, 2001 and ended on August 21, 2005, spanning five seasons and 63 episodes. The show was produced by Actual Size Films and The Greenblatt/Janollari Studio and was shot on location in Los Angeles and in Hollywood studios. The show revolves around members of the Fisher family, who run their funeral home in Los Angeles, and their friends and lovers. The series traces these characters' lives over the course of five years. The ensemble drama stars Peter Krause, Michael C. Hall, Frances Conroy, Lauren Ambrose, Freddy Rodriguez, Mathew St. Patrick and Rachel Griffiths as the show's seven central characters.
Six Feet Under received widespread critical acclaim, particularly for its writing and acting, and consistently drew high ratings for the HBO network. The series is noted for its exploration of mortality and death in western society. It won numerous awards, including three Golden Globes and nine Emmys. It also generated controversy for its graphical depiction of sexuality and some of the themes it addressed.
The show stars Peter Krause as Nathaniel Samuel "Nate" Fisher Jr., the son of a funeral director who, upon the death of his father (Richard Jenkins), reluctantly becomes a partner in the family funeral business with his brother David, (Michael C. Hall). The Fisher clan also includes widow Ruth (Frances Conroy) and daughter Claire (Lauren Ambrose). Other regulars include mortician and family friend Federico Diaz (Freddy Rodriguez), Nate's on-again, off-again girlfriend Brenda Chenowith (Rachel Griffiths), and David's on-again, off-again boyfriend Keith Charles (Mathew St. Patrick).
On one level, the show is a conventional family drama, dealing with such issues as relationships, infidelity, and religion. At the same time, it is a show distinguished by its unblinking focus on the topic of death, which it explores on multiple levels (personal, religious, and philosophical). Each episode begins with a death — anything from drowning or heart attack to Sudden Infant Death Syndrome — and that death usually sets the tone for each episode, allowing the characters to reflect on their current fortunes and misfortunes in a way that is illuminated by the death and its aftermath. The show also has a strong dosage of dark humor and surrealism running throughout.
A recurring plot device consists of a character having an imaginary conversation with the deceased; for example, Nate, David, and Federico sometimes "converse" with the person who died at the beginning of the episode, while they are being embalmed or planning or during the funeral. Sometimes, the conversation is with other recurring deceased characters, most notably Nathaniel Fisher Sr. The show's creator Alan Ball states they represent the living character's internal dialogue by exposing it as an external conversation.

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